Each and every time the viewer gets nearer and more intently involved, he stumbles into an infinitely complex world of motifs, relationships, and views. Shore later pursued this idea in massive formats, producing perspectives of apparently randomly chosen sections of streets, highways, and house façades. His works were shown at the Kunsthalle Düsseldorf in 1977 and the Documenta 6, which turned for the primary time to historic and up to date photography. These exhibitions had been facilitated by Bernd Becher, who had been the pictures professor at the Düsseldorf Kunstakademie (Düsseldorf art school) since 1976. The images area’s services serve …